Howlin' Wolf: His Best -Chess 50th Anniversary Collection | 
| Artist: Howlin' Wolf Label: Chess/Universal Category: Music
List Price: £8.99 Buy New: £3.74 as of 7/9/2010 18:39 BST details You Save: £5.25 (58%)
New (30) Used (2) from £3.74
Seller: all your music Rating: 6 reviews Sales Rank: 1790
Format: Original recording remastered Media: Audio CD Discs: 1 Running Time: 55 Minutes Shipping Weight (lbs): 0.2 Dimensions (in): 5.6 x 5 x 0.5
UPC: 076732937525 EAN: 0076732937525 ASIN: B000005KQM
Release Date: March 20, 1999 Availability: Usually dispatched within 1-2 business days
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| Tracks:
| • | Moanin' At Midnight | | • | How Many More Years | | • | Evil (Is Going On) | | • | Forty Four | | • | Smokestack Lightnin' | | • | I Asked For Water (She Gave Me Gasoline) | | • | Who's Been Talking | | • | Sitting On Top Of The World | | • | Howlin' For My Darlin' | | • | Wang Dang Doodle | | • | Back Door Man | | • | Spoonful | | • | Shake For Me | | • | The Red Rooster | | • | I Ain't Superstitious | | • | Goin' Down Slow | | • | Three Hundred Pounds Of Joy | | • | Hidden Charms | | • | Built For Comfort | | • | Killing Floor |
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| Editorial Reviews:
Amazon.co.uk Review Chester Burnett's ferocious growl was a staple of Chicago's electric-blues heyday. This 20-song compilation ranges from his 1951 debut "Moanin' at Midnight" with Willie Johnson on guitar to 1964's "Killing Floor" with Buddy Guy on guitar. His scratchy, sawed-off vocal approach and his energetic harmonica grace original classics such as "How Many More Years" and "Smokestack Lightnin'". By 1960, he became, along with Muddy Waters, the foremost interpreter of Willie Dixon's songs, lending his coarse voice to legendary Dixon cuts such as "Wang Dang Doodle", "Back Door Man", "Spoonful", "The Red Rooster", and "I Ain't Superstitious". Wolf's style was based on primal raw power, and he ranks among the genre's most distinctive performers. --Marc Greilsamer
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| Customer Reviews:
Showing reviews 1-5 of 6
The best single-disc overview of a great career November 16, 2002 Docendo Discimus (Vita scholae) 29 out of 29 found this review helpful
If you're only ever going to buy one Howlin' Wolf-album (why? why would you want to to that?), this is the one to get. Howlin' Wolf recorded some two hundred songs during his long career, and with room for 20 only, some hard choices must have been made by the compilers. Chester Arthur Burnett, the Howlin' Wolf, stood about 6'4" and weighed close to three hundred pounds in his prime, and his huge, gravelly roar of a voice sounds positively frightening on early cuts like "Moanin' At Midnight" and "How Many More Years", the latter track (probably) featuring Ike Turner on piano.The songwriting credits are shared about equally by the omnipresent Willie Dixon, who plays bass on most of the cuts as well, and the Wolf himself, and "Hidden Charms" features perhaps the greatest guitar solo ever comitted to tape, courtesy of the hugely underestimated Hubert Sumlin, Wolf's right-hand man for more than twenty years. Other highlights include "Forty-Four", "Smokestack Lightnin'", "The Red Rooster" and the phenomenal "Killing Floor", written by Howlin' Wolf, shamelessly stolen by Led Zeppelin and covered by several others, but never surpassed, and featured here in the ultimate version, sporting an incredible catchy guitar riff by Hubert Sumlin, and solos by Buddy Guy. This is a corner stone in any serious blues collection. Hard-rocking, bone-crunching electric blues, burning with the sheer ferocity of Chester Burnett's incredible voice. There was never anyone like the Wolf, and it doesn't seem likely that there will be. Oh, and while you're at it, get "His Best vol. II" as well.
Thirteen pounds of Joy (unless it's on discount) August 15, 2004 Bobby Talalay 16 out of 16 found this review helpful
When the deep voice of Wolf breaks into your bedroom in Moanin' at Midnight you'll wonder what hit you. The songs on this album beautifully represent Wolf's versatility and talent and allow for several types of the Blues to emerge. Bebop is represented by How Many More Years and the Mississppi delta by Sitting on Top of the World (originally by the memphis sheiks). The eclectic mix of styles highlight the variety of Howlin' Wolf. When singing electric blues, backed by Hubert Sumlin, the power of Wolf really emerges and tracks like Hidden Charms and Shake for Me are true Chicago blues. However, the true gems on this album are in his less celebrated tracks like Who's Been Talkin and Moanin' at Midnight, while the great tracks of I Aint Superstitious and Killing Floor round of a great album. If you want to hear great blues which spans Chicago and the Mississippi delta, if you want to hear the real commercial alternative to Muddy Waters in the Chicago blues and if you want to hear one of the greatest artists in music who inspired such legends as the Rolling Stones then buy this and hear some excellently compiled Howlin' Wolf.
One of the greats. June 17, 2004 6 out of 7 found this review helpful
A solid collection from one of the greats of the blues. If you don't know that Howlin' Wolf is himself a classic you know nothing about the blues. Simple rhythmic backing with the right feel and timing is beyond most white "blues" guitarists. The Stones worshipped and adored the Wolf and Muddy Waters. They were their gods and when they got to play with them they were in heaven.
like draging hot glass across asphalt May 23, 2005 Christopher C. Stevens (The Shire) 7 out of 9 found this review helpful
This has to be one of my favourite blues albums, this really is good. Once you've heard killing floor you will be sold, and once you hear wolf's voice you will never forget it.
Afficionados Only? March 22, 2004 Sd Alcock (Colchester, England) 7 out of 52 found this review helpful
I bought this CD because I'd heard that Hubert Sumlin was an ultra cool Blues Guitarist favoured by Jimmy Page. The majority of the guitar work is simple rhythmic backing, and didn't seem to me to be the distilled essence of bluesmanship that fed the next generation (Hendrix, Page, Beck, Richards,..)Howlin' Wolf's gravelly voice is one thing, poor sound engineering another. On some of the tracks his powerful deep voice simply causes the mic' to distort, nothing clever in that. A couple of the Tracks wound down to such a slow pace that I wondererd if the band had trouble staying awake. For those with an interest in the roots of popular music from an academic point of view, or those who are dedicated blues purists this CD may hold some value. But unless you've been living and breathing this stuff for a while it's never going to make the hairs on your neck stand up like the blues classics you already know and love.
Showing reviews 1-5 of 6
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